XIANG XU DANCE
XY
World Premiere
XY
World Premiere
Choreography: Xiang Xu
Co-Choreographer: Heidi Yu (Hyung Ji Yu)
Performers: Jonathan Colafrancesco, Gabrielle DiNizo
Composers: Luca Longobardi, Yoni Sharon
Duration: 1 hour
Location: Aaron Davis Hall, New York City (115 Convent Ave, 10027)
Date: November 16th and 17th, 2023, Thursday and Friday
Tickets: https://citycollegecenterforthearts.org/.../xiang-xu-dance/
About "XY"
"XY" is a profound exploration of human self-awareness. This enchanting work invites the audience on a journey of self-discovery and introspection. As the dancers take the stage, they reveal the complexity of our existence in a dualistic world, prompting the audience to contemplate their place in this intricate tapestry. Inspired by Anne Sexton and Paul Laurence Dunbar, "XY" emerges as a choreographic masterpiece, encouraging you to venture into the realms of discovery and reflection. In each profound expression of peculiar movements, this dance piece evokes a deep connection between dance and the essence of human philosophy. Join us in a transformative experience that blends art, movement, and introspection.
Commissioned Piece for Boris Eifman Dance Academy and Innopraktika school
Choreography I Xiang Xu
Lighting Design I Jay Herzog
Costume Design I Leigh Targaryen
Cast I Boris Eifman Dance Academy
"Ой, цветёт калина"
"Ой, цветет калина" is a mesmerizing contemporary ballet that beckons the audience into a world infused with timeless romance. It transcends the boundaries of time, seamlessly weaving together the past, present, and future, where the delicate threads of human connection intertwine with the enigmatic allure of machines. Amidst this enchanting tapestry, a pure love story unfolds, an emblematic tale that may be the very cornerstone of our human civilization.
As we contemplate the passage of time and the cyclical nature of our collective history, we find solace in the profound significance of an ordinary love story between two souls. It is the essence of our shared humanity, a vital thread that weaves through the fabric of generations. With each passing era, as we pass down the cherished love song, "Ой, цветет калина" to our successors, we question whether the future will hold dear the remembrance of that age-old romance. Will this treasured opus endure, transcending the boundaries of time, echoing into the very depths of our human civilization?
As we contemplate the passage of time and the cyclical In the twilight of our existence, as we ponder the inevitable rise of robots and their ascension to prominence, we find solace in the notion that even they, with their cold steel and circuitry, might carry within them the echoes of "Ой, цветет калина." For in the grand tapestry of our shared experiences, this dance work stands as a testament to the eternal power of love. And perhaps, as the recorder faithfully captures the essence of this timeless ballet, it will serve as an everlasting vessel, preserving "Ой, цветет калина" for a thousand years and beyond, ensuring that our most precious tales endure through the ages. of our collective history, we find solace in the profound significance of an ordinary love story between two souls. It is the essence of our shared humanity, a vital thread that weaves through the fabric of generations. With each passing era, as we pass down the cherished love song, "Ой, цветет калина" to our successors, we question whether the future will hold dear the remembrance of that age-old romance. Will this treasured opus endure, transcending the boundaries of time, echoing into the very depths of our human civilization?
Human Relations
Commissioned piece 2023 for Boris Eifman Dance Academy and Innopraktika School
Choreography I Xiang Xu
Lighting Design I Jay Herzog
Costume Design I Leigh Targaryen
Cast I Boris Eifman Dance Academy
"Human Relations" is an evocative dance work that delves into the complex nature of social encounters. Drawing inspiration from Sartre's philosophical masterpiece, "Being and Nothingness," the performance explores how human relations can often lead to a sense of self- alienation. However, the work challenges the notion that philosophy is solely subjective, emphasizing that truth can be found in the natural laws governing our existence— interconnection, altruism, harmony, balance, interdependence, and unity.
Through mesmerizing choreography, the dancers illuminate the implications of these principles, offering a template for genuine and fulfilling relationships. From the varying dynamics of human interactions in different cultural and religious contexts to the rich tapestry of history's stories, "Human Relations" unveils the profound philosophies embedded within our actions and invites audiences to reflect on their own role in the interconnected dance of life.
The Bardo
Commission piece 2021 for The School of Theatre and Dance, James Madison Universty
Choreography: Xiang Xu
Music Composition: Yo Yo Ma and Laurie Anderson
Lighting Design: Steven P Spera
Costume Design: Elizabeth Powell Wislar
Cast: The School of Theatre and Dance, James Madison Universty
In the space between past and future, having and losing, knowing and not knowing, lies an opportunity for awakening. Bardo is a Tibetan word that simply means a “transition” or a gap between the completion of one situation and the onset of another. Bar means “in between,” and do means “suspended” or “thrown.” Bardo is a word made famous by the popularity of the Tibetan Book of the Dead. I think of a bardo as being like a moment when you step toward the edge of a precipice; such a moment, for example, is when a master introduces a disciple to the essential, original, and innermost nature of his or her mind. The greatest and most charged of these moments, however, is the moment of death. Sogyal Rinpoche